The College of Fine Arts at Basra University discussed the Habitus and the aesthetics of the coordination of kinetic formation in the contemporary Indian theatrical performance. The thesis presented by the student Munqith Muhammad Faisal included four chapters.
The first chapter contains the research problem, which came through monitoring the dialectical phenomenon intertwined between preserving traditions or creating a visual display language that fits with reality and stems from the concept of habitus.
The second chapter includes two axes, the first of which is the concept of habitus. The second is the manifestation of the habitus in the Indian theatrical show of selected models.
The third chapter included research procedures ..
The fourth chapter revealed the consistency of the movement formation in the presentation, as the control of the religious culture has the influence of the individual behaviorally to produce a positive practice.
The thesis aims to identify and study the habitus and the aesthetics of its foundations after concepts that translate social behavior and its implications on the creative and artistic dimension.
